He builds around that neck-snap percussion in ways that dredge up an air of constant tension, ebbing and flowing through so many different forms so quickly that it creates this air of unknowable dread once it seems like there might be a consistent method to it, it switches focus to some other angle. And it succeeds, driven as it is by up-front, iron-fisted live drumming that's mixed up into the red. It's a run of occasionally disorienting, sometimes frantic, usually unnerving trips into distinct corners of psychedelic and experimental influence that spark briefly to reveal vivid life and fade out just as quickly. Flipping Dungen, Can, and space-age 70s European production library music in the same set as Smif N Wessun and Organized Konfusion is exactly the kind of approach that makes running in the same crowed as Flying Lotus and Teebs sound like a natural destination in context.īreakthrough is a record that fits Gaslamp Killer well as a rundown of everything he's been able to imprint on his career so far. And it becomes even clearer soaking on a mix like 2009's Hell and the Lake of Fire are Waiting for You!, one of the best documents of his persistent efforts as a DJ to turn clubland crate-digger culture into an altered-state travelogue worthy of his Low End Theory bonafides. Pick up that same year's Death Gate EP or jump back a year to his 2009 EP, My Troubled Mind, and you can hear that sound emerge from a mindstate reared on 1980s VHS horror, hippy-biker exploitation soundtracks and car-trunk g-funk, stuff that expanded on the Left Coast underground influence of '96-era Shadow and Automator into a red-lit grindhouse. His highest-profile production gig, Gonjasufi's 2010 album A Sufi and a Killer, was psychotropic hip-hop at its most elemental, stuff so gristly and eye-peeling- and occasionally beautiful- that it reset the parameters for what you could nod your head to (assuming you could still remember where it was located). As a producer, the Gaslamp Killer made his debut in the late 2000s, releasing a split EP with Free the Robots, "The Killer Robots," on Obey Records in 2008 and two EPs for Flying Lotus' Brainfeeder Records, My Troubled Mind in 2009 and The Death Gate in 2010.Gaslamp Killer has emerged as a producer who developed his charismatic notoriety by pushing his corner of bass music into a something resembling a close cousin of acid rock. He also released a series of mix CDs, among them Gaslamp Killers (2003), It's a Rocky Road (2007), I Spit on Your Grave (2008), Hell and the Lake of Fire Are Waiting for You! (2009), and All Killer (2009), the latter a label showcase for the London-based world psychedelia imprint Finders Keepers Records. Upon relocating to Los Angeles, he found a niche for himself amid the city's massive underground party scene and ultimately found a home for himself as a resident DJ at the club Low End Theory, which resulted in a series of club-sponsored podcasts. Born William Benjamin Bensussen, he originally comes from San Diego, CA, whose downtown Gaslamp District's bar scene inspired him to name himself the Gaslamp Killer in disgust for much of the patronage. Associated with Flying Lotus' Brainfeeder Records, he made his production debut in the late 2000s with a series of EPs. Read Full Bio The Gaslamp Killer is a Los Angeles-based DJ whose electric style ranges from psychedelia and world music to dubstep and left-field hip-hop. The Gaslamp Killer is a Los Angeles-based DJ whose electric style ranges from psychedelia and world music to dubstep and left-field hip-hop.
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